perhaps the best painting I've ever done

This series started off with a bunch of watercolor color studies and developed into a series of almost minimalist paintings. As hard as I try to make severely rectilinear edges, my hand slips and the edge modulates a little giving feeling of a breaking wave revealing my inclination toward representation.

When I was in school the two major modes of painting were painterly realism and minimalist abstraction. Even though I fell into the representational camp, I always admired minimalist painters such as Kenneth Noland.